Today on The Following Films Podcast, I’m joined by cinematographer Martin Ruhe. Martin’s latest film, The Amateur, is a tense, grounded thriller, and we spend a lot of time talking about how he helped shape its unique look and feel. We also get into his earlier work, like the beautifully shot Control, and how his collaborations with George Clooney kicked off with The American and later continued with The Tender Bar. It was a real pleasure hearing Martin break down his process, how he approaches working with directors, and how he keeps pushing himself creatively from project to project.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...