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Album Review: You’re a Good Sport, Charlie Brown

The long-overdue release of Vince Guaraldi’s soundtrack for You’re a Good Sport, Charlie Brown has finally crossed the finish line—and in style. Pressed at 45 RPM on black Eco Mix vinyl, this release from Lee Mendelson Film Productions gives jazz lovers, Peanuts fans, and vinyl collectors a reason to cheer. It’s more than a nostalgia piece; it’s a lovingly restored slice of 1970s musical experimentation from one of animation’s most influential composers.

Originally broadcast in October 1975, You’re a Good Sport, Charlie Brown was the 14th animated Peanuts television special, and the final one scored by Guaraldi to air before he died in early 1976. The motocross-themed special gave the jazz pianist room to innovate—and he took full advantage, blending his signature West Coast cool with funky synth textures and the electric energy of the era.

While it’s often overshadowed by A Charlie Brown Christmas, this score is one of Guaraldi’s most ambitious and creatively rich, and the 2025 black Eco Mix vinyl release is the first time fans can hear it in full, remastered glory.

By the mid-70s, Guaraldi had already created an iconic sonic identity for the Peanuts world. His gentle piano voicings and swinging trio arrangements had become synonymous with Charlie Brown’s quiet dignity, Linus’ philosophical musings, and Snoopy’s daydreams. But You’re a Good Sport, Charlie Brown called for something different.

This was not a holiday special. It was about dirt bikes, sports competition, and chaotic slapstick. Guaraldi responded with a funkier, more groove-driven score—still melodic, but laced with early analog synth lines. The result is one of the most rhythmically exciting and texturally adventurous scores in the Peanuts canon.

Side A kicks off with “Motorcross Theme,” a keyboard-and-percussion-driven track that sets a brash, upbeat tone. It’s punchy, unpredictable, and playfully chaotic—exactly like Charlie Brown’s brief motocross career. Guaraldi’s piano is present but takes a back seat to dreamy keyboards and rubbery basslines, revealing his comfort in pushing beyond jazz norms into something funkier and freer.

But not every track leans into groove for its own sake. Pieces like “Peppermint Patty” are deceptively layered—simultaneously upbeat and tinged with melancholy. There’s a gentle introspection running underneath their brightness, a kind of emotional ambiguity that feels quintessentially Guaraldi. Rather than diving into outright funk, certain tracks offer a reflective pause, capturing the bittersweet essence of the Peanuts universe: a world where even triumphs feel a little lonely, and joy is always laced with longing.

And then there’s “Linus and Lucy.” While it shares a title with one of Guaraldi’s most beloved and recognizable Peanuts themes, this version resembles the original in name only. Gone is the swinging, upbeat joy of the A Charlie Brown Christmas rendition. In its place is a rolling, percussive groove that hums with nervous energy and tension.

While the album’s A-side emphasizes movement and melodic structure, the B-side leans into experimentation. Here, Guaraldi stretches out, allowing for four reprises of the album’s opening theme, “Motorcross,” each iteration layering on new textures and ideas. It’s a rare glimpse into his process—variations that feel like sketches in motion, each one pushing the groove a little further, shifting the mood, and exploring the possibilities of the theme.

These reprises aren’t just repeats—they’re evolutions. Some versions dial up the percussion, others highlight different keyboard voices or rhythmic shifts, creating a dynamic, exploratory arc that builds throughout the side. Guaraldi treats the theme like a live wire, always sparking something fresh.

The album closes with “Bicycle Wizard,” a standout that blends his signature Peanuts piano with a rolling hi-hat rhythm that wouldn’t feel out of place on a Curtis Mayfield record. It’s bright, confident, and stylish—a funky sendoff that fuses jazz, soul, and childlike wonder into something unmistakably Guaraldi.

Together, these elements make "Bicycle Wizard" a perfect encapsulation of the album’s spirit: inventive, offbeat, and rhythmically alive. It’s a testament to Guaraldi’s willingness to take risks late in his career, and to his uncanny ability to combine the familiar with the unexpected.

This 2025 release goes the extra mile in both fidelity and eco-consciousness. Pressed at 45 RPM, the higher speed provides added depth, clarity, and dynamic range. Guaraldi’s electric keys sound brighter, the basslines rounder, and the percussion crisper—perfect for a score that thrives on groove and texture.

The use of black Eco Mix vinyl gives the record an added layer of uniqueness. Made from recycled leftover vinyl pellets from other pressings, Eco Mix records are more sustainable than traditional vinyl, and each pressing carries subtle, unique variations. In this case, the black blend feels visually classic but environmentally modern—a fitting match for a score that bridges eras.

Lee Mendelson Film Productions packaging exemplifies the care that went into the release. Featuring gorgeous artwork and special liner notes from Craig Schultz (son of Charles Schultz, and inspiration for the special), Peanuts historian Derrick Bang, and Producer Sean Mendelson, whose insight provides valuable context for Guaraldi’s late-period creative evolution. 

This isn’t just another Peanuts release. It’s a document of artistic risk-taking—a composer known for gentle jazz stepping confidently into ’70s electric funk and fusion, while never losing the emotional heart that made his music iconic in the first place.

Guaraldi didn’t need to reinvent himself for a children’s motocross special. But he did. And what we get here is a high-fidelity, sustainably produced record that celebrates that effort. It’s a time capsule, a groove record, and a farewell of sorts to an artist who passed far too soon.

That this release took nearly 50 years to materialize makes it feel even more precious. This isn’t a cash-in or a novelty pressing. It’s a labor of love.

Vince Guaraldi’s You’re a Good Sport, Charlie Brown has long flown under the radar—but not anymore. This 45 RPM black Eco Mix vinyl release offers a rich, revealing, and rhythmically charged listening experience. It’s a funky curveball in the Guaraldi catalog, but one that deserves a place of honor on the shelf.

You can save 32% off the retail price when you order from MVD!!!!

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