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MAR.IA Brings Blood, Cybernetics, and Vengeance to U.S. Audiences This October

MAR.IA

Some films wear their influences on their sleeve, while others stitch them into something entirely new. MAR.IA, the latest genre entry from VOID SIGNAL, falls squarely in the latter camp. Equal parts cyberpunk nightmare and revenge horror, the film is finally making its way to U.S. audiences on October 14th, courtesy of Alliance Home Entertainment. It will be available on Digital, DVD, and Blu-ray.

At its core, MAR.IA is a story about transformation. Maria Black, a celebrated adult film star, vanishes under mysterious circumstances only to reemerge as something far more dangerous: a cybernetic force of vengeance. What follows is a collision of sci-fi futurism and grindhouse ferocity, culminating in a finale soaked in blood and rage.

The film has already carved out a reputation on the festival circuit, playing to packed genre crowds across the globe. Over the course of twelve international festival selections, MAR.IA pulled in a handful of top prizes, including Best Director at Cinefantasy, Best Actress at NoctĂĄmbulo, and Best Picture at Buenos Aires Rojo Sangre. That pedigree hints at what kind of experience audiences can expect—one that’s not afraid to push boundaries both thematically and viscerally.

While the logline draws easy comparisons—The Terminator for its cybernetic dread, I Spit on Your Grave for its vengeance-fueled brutality—MAR.IA doesn’t feel like a pastiche. Instead, it uses familiar genre DNA to probe questions about power, objectification, and identity, all while delivering the kind of gonzo practical gore that has become increasingly rare in the era of digital blood splatter.

For horror fans looking for something that straddles the line between the transgressive and the spectacular, MAR.IA is shaping up to be one of the year’s must-see releases. It’s a film that seems destined to stir conversation, shock audiences, and, if its festival run is any indication, stick with viewers long after the credits roll.

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