One of the most rewarding parts of this show is getting to highlight filmmakers who possess a truly distinct, non-formulaic voice, and today’s guest is a perfect example. Recently named one of Variety’s 2026 Directors to Watch, Chandler Levack is having a massive moment with two films hitting screens this week.
On one hand, there is her indie festival darling, Mile End Kicks, a raw and vibrant portrait of a young writer finding her footing in the Montreal music scene. On the other, she is making her studio debut with the Netflix comedy Roommates. While it features a massive ensemble—including Sadie Sandler, Chloe East, Sarah Sherman, and Natasha Lyonne—it manages to elevate the traditional college freshman comedy into something far more poignant and relatable.
Chandler’s background as a music and arts journalist for publications like SPIN and The Village Voice brings a unique texture to her filmmaking, and I’ve been eager to dive into her process. Today, we’re talking about the transition to a major studio project, what it was like collaborating with Adam Sandler, the critical importance of getting the right faces in the right roles, and, of course, the specific films and music that changed our lives.
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