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Showing posts with the label Erik Messerschmidt

Following Films Podcast: Erik Messerschmidt on FERRARI and BONO: STORIES OF SURRENDER

Bono: Stories of Surrender is a vivid reimagining of Bono’s critically acclaimed one-man stage show, “Stories of Surrender: An Evening of Words, Music and Some Mischief…” As he pulls back the curtain on a remarkable life and the family, friends, and faith that have challenged and sustained him, he also reveals personal stories about his journey as a son, father, husband, activist, and rock star. Along with never-before-seen, exclusive footage from the tour, the film features Bono performing many of the iconic U2  songs that have shaped his life and legacy. Today’s episode of the Following Films Podcast is brought to you by Universal Pictures How to Train Your Dragon. The film is currently available on digital, DVD, Blu-ray, and 4K UHD. If you would like to win a free copy of the 4K disc, just send an email with your mailing address to ⁠editor@followingfilms.com⁠ with the subject line “I can train your dragon.” Winners will be selected at random and receive notification by 8/31. If ...

Following Films Podcast: Erik Messerschmidt on Devotion, Michael Mann, and David Fincher

  For the upcoming major motion picture Devotion – the anticipated Korean War-era feature film based on the acclaimed book and directed by J. D. Dillard, starring Jonathan Majors, Glen Powell, Christina Jackson, and Joe Jonas and coming out November 23 -- award-winning director of photography Erik Messerschmidt, ASC leveraged his decades of experience to create stunning visuals that entwine narrative, action sequences, landscape, and compelling insights into the human condition. To bring dynamic vibrancy to the film, which focuses on the true story of a black naval officer who befriends a white naval officer, Messerschmidt used real planes shot in actual locations. Many of the cockpit interiors, particularly the “Bearcat” sequence in the beginning of the film, are entirely authentic. For the combat sequences, the actors were shot in front of an LED volume similar to “The Mandalorian” so the footage could be captured in camera. A big movie shot on a budget much smaller than typical ...