FOLLOWING FILMS - Podcast, Movies, Music, and More

If you were old enough to be sneaking into movie theaters during the summer of 2001, you probably remember just how massive Scary Movie was. It arrived right at the tail end of the late-90s teen slasher revival, taking a massive, crude, sledgehammer swing at Scream, I Know What You Did Last Summer, and pretty much every pop culture staple of that specific turn-of-the-millennium window. Looking back at it now, it's wild to think about how much money this thing made on a modest budget. It practically birthed a whole subgenre of spoof movies, most of which got progressively worse over the next decade. But the original Wayans brothers effort still holds a special, trashy place in the hearts of anyone who grew up on VHS tapes and early DVD releases. Naturally, Paramount decided it was time to give this comedy classic the premium 4K Ultra HD Steelbook treatment. The big question is whether a film full of bodily fluid jokes and slapstick gags actually benefits from a native 4K transfer, o...

In this quick ten-minute chat on The Following Films Podcast , Chris Maynard sits down with actor and musician Samuel Bottomley to discuss his wild new film, California Scheemin . Based on an incredible true story , the movie follows two aspiring Scottish musicians from Dundee who, after facing rejection from the local music industry, hatch an audacious plan to reinvent themselves as American hip-hop artists from California to finally score a record deal . Tune in as Samuel shares what it was like recording the soundtrack , transitioning from the studio to performing live in front of 2,000 screaming fans in Glasgow , and his unforgettable real-life audition story running into James McAvoy in London . Key Discussion Points The Real-Life Inspiration: Exploring the absurd, true-story premise of Dundee musicians faking an American hip-hop persona to break into the industry . A Chance Encounter: Samuel shares the nervous wait outside auditions in London and how running into James M...

Taylor Sheridan has reached the point in his career where tossing the Stetson on the coffee table and inviting the camera to a particularly photogenic corner of Montana constitutes a production meeting. After filling prime-time television with alpha males, land wars, and enough testosterone to fuel a small city, The Madison is his most surprisingly forlorn work yet. And now that its first season has appeared on Blu-ray, discerning viewers can enjoy Sheridan’s latest family drama without a subscription to any streaming service. The Madison is not another Yellowstone, it's a more introspective affair that examines the heart-wrenching consequences of the family tragedies and the inability to move on, despite all the money in the world. Michelle Pfeiffer stars as Manhattan socialite Stacy Clyburn, who finds herself in the unfamiliar landscape of the American West after a horrifying family tragedy. There, in the Madison River Valley, her husband Preston (Kurt Russell) and brother-in-law...

Look, nobody expects a Jackass movie to be high art, but there's something weirdly surreal about watching a bunch of people who have spent more than twenty-five years making bodily harm an art form make one more theatrical stab at it. Johnny Knoxville and his band of self-destructive masochists have leapt, crashed, collided, vomited and generally abused themselves to provide generations of viewers with entertainment. Jackass: Best and Last marks the franchise's supposed final theatrical outing, and the Blu-ray gives the film a solid technical presentation that suits the deliberately varied material. If you've seen Jackass Forever in 2022, you already know the basic emotional territory of this movie. It's a continuation of that last film's bruised family-reunion atmosphere, with the veterans increasingly aware that they're not quite as indestructible as they used to be. Johnny Knoxville, Steve-O, Danger Ehren, Dave England, Wee Man, Preston Lacy, Chris Pontius an...

  Host Chris Maynard sits down with producer and actress Lavinia Postolache to discuss her sci-fi noir thriller, April X. In this episode, Lavinia breaks down the realities of independent filmmaking, from stretching a tight budget by filming on location in Bucharest, Romania, to choosing organic, hand-crafted visual effects over AI in post-production. She also shares insights into balancing dual roles behind and on camera (playing Rose), using her modeling background to secure high-fashion costume designs, and assembling a talented cast, including Connor Storrie, before his breakout success.

  If you grew up loving the thrill of spooky movies, you know how hard it can be to find that perfect "gateway horror," films that deliver genuine scares and fun without pushing young genre fans too far over the edge.    In our latest video interview, Chris sits down with horror royalty Cassandra Peterson (best known as Elvira, Mistress of the Dark) and writer/filmmaker Gemma Hurley to talk about their latest entry in the Pumpkinhead series for Tubi. 

Since today is September 30th and we are officially at the doorstep of spookiest season of the year, there's no better time to dive headfirst into Shudder's terrifying lineup for a proper October horror marathon. When it comes to the best horror movies on the dedicated platform, Shudder has a vast library of terrifying content made for the most fearsome fans of the horror genre. From the most obscure regional restorations to the most hyped original frightfests, AMC’s popular streaming service has a variety of content that will challenge even the bravest horror fans. There is an array of terrifying movies that can make one think twice before going on a camping trip, and some of them are still available for streaming on Shudder. These five films are sheer mastery of terror that deliver the most frightening moments of unspeakable horror with an array of bone-chilling effects, psychological depth, and lingering dread. 1. When Evil Lurks (2023) Directed by Demián Rugna The Premise T...

  In this brief 10-minute interview, Patrick unpacks the guest-star format of the series—comparing its recurring-character dynamic to a dark Saturday Night Live sketch. He shares what it’s like staying in the same Airbnbs with guest stars like Kate Siegel, balancing absurd cringe humor with sheer terror, and how British comedy like Peep Show continues to inspire the show's awkward, razor-thin line between awkwardness and menace.

If you grew up rent-scrolling the family section at blockbuster or your local mom-and-pop store in the late 90s, Peter Hewitt's 1997 adaptation of The Borrowers was an inescapable pick. It sat between Home Alone knockoffs and weird live-action Disney experiments, with a cover of a microscopic family peeking out from under a floorboard while John Goodman loomed over like an angry, suit-wearing thumb. It was a movie you rented when every copy of Space Jam was checked out, brought home on a rainy Saturday, and realized was actually just a weird, chaotic affair. Alliance Entertainment has put it out on a Blu-ray under their Retro VHS banner, complete with a heavy-cardstock slipcover to mimic a sun-faded tape box with fake sticker distress and black spine edges. Let us be real about what you are getting on the disc itself. It is a completely barebones package. You slot the disc into your player and get a dead-simple static menu with a play button and a scene selection menu. There are no...

Robert Benton's Nadine is one of those mid-80s studio comedies that passed everyone by as it opened in 1987, and eventually found a home on the cable television for the next decade. If you happened to randomly switch channels on a lazy Sunday afternoon in 1994, there is a good chance you caught the middle forty minutes of the movie without ever figuring out what the plot is about. It hits BD on September 29th as part of Alliance Entertainment's Retro VHS collection, and the packaging format is fitting for a film of this kind. It is wrapped in a faux-distressed slipcase with the look of a sun-faded rental cassette from a mom-and-pop video shop in 1989. The disc inside is bare bones; you drop it in, and you get a bare-minimum menu screen, and the movie starts. There are no retrospective interviews, no director commentary, no archival behind-the-scenes coverage. Just eighty-three minutes of Jeff Bridges and Kim Basinger yelling at each other in late-1950s Texas while running away ...