On this episode, the three of us have gathered to say WalrusYes to TUSK, about a man who has the simple dream of wanting to turn another man into a walrus. This inspires a look back at other mishaps in the history of man becoming more than human with 1986’s THE FLY and the 2009 film, SPLICE. We also discuss Jeff Goldblum's hair and the exploding interest in podcasts about men's hair on film. So before you race off and start the hashtag WarmachinehorseYes, check out this episode. You may find our podcast just as terrifying.
No contemporary filmmaker has chronicled the messy human experience with the eye and ear of a comedic cultural anthropologist like JUDD APATOW. Hits as varied as those he’s directed, like Knocked Up and The 40-Year-Old Virgin, and those he’s produced, like Superbad and Bridesmaids, are all unified by their honest, unflinching, comic look at how complicated it is to grow up in the modern world. Apatow has also built a history of helping break distinctive new comedy voices into the mainstream, from Seth Rogen to Lena Dunham, among many others. Now, in his fifth feature film as a director, Apatow again brings a portrait of an unforgettable character, and a portrayal by a breakout new comedy star, together in a film written by and starring AMY SCHUMER (TV’s Inside Amy Schumer) as a woman who lives her life without apologies, even when maybe she should apologize. U n d o u b t e d ly, S c h u m e r h a s b e e n s t e a d i ly achieving cultural notoriety of her own. From her bruta
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