On this episode hosts Peter and Mike combine our last two holiday weekends of Mother's Day and Friday the 13th by watching two versions of the mother/daughter body switch comedy FREAKY FRIDAY. Is this the only chance for Lindsay Lohan to better Jodie Foster in an acting performance? Does Jamie Lee Curtis' 2003 rendition of "...Baby One More Time" have us traveling back to the 1976 version as quickly as we can? Find out the answer to these very important questions in our latest episode!
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...