Skip to main content

V/H/S 94 Blu-ray Review


V/H/S 94

Written and directed by an ensemble filmmaking team including: Jennifer Reeder (Knives and Skin), Chloe Okuno (Slut), Simon Barrett (The Guest), Timo Tjahjanto (Impetigore), Ryan Prows (Lowlife), Steven Kostanski (PG: Psycho Goreman)

Produced by: Josh Goldbloom, Brad Miska and Kurtis Harder (Spiral),

Executive Produced by: David Bruckner (The Night House) and Radio Silence (SCREAM, Ready or Not)

Starring: Anna Hopkins (“The Expanse”), Christian Lloyd (“American Gods”), Kyal Legend (“Backstage”) and Budi Ross. 

The Film(s)

In V/H/S/94, after the discovery of a mysterious VHS tape, a brutish police swat team launches a high-intensity raid on a remote warehouse, only to discover a sinister cult compound whose collection of pre-recorded material uncovers a nightmarish conspiracy.

Holy Hell - Directed by Jennifer Reeder

A story about dirty cops getting what they deserve. A satisfying wraparound that ties all the films together and gives the piece an overall sense of thematic symmetry. 

Terror - Directed by Ryan Prows

This is a film that has a great idea and needs to be expanded. The TERROR is centered on a far-right militia who are planning and preparing for an act of terrorism. The use of sound and repetitive explosions (both literal and figurative) give this short an ill-at-ease tension that could easily be expanded on. In theory, I have no interest in spending more time with these characters, but I do feel like there is more room to explore the satirical elements that were merely hinted at in this telling.  

The Empty Wake - Directed by Simon Barrett

It's no surprise that the man responsible for YOU'RE NEXT and THE GUEST managed to turn in the film's most confident and atmospheric short. This is Barrett's 3rd entry in the V/H/S franchise and with that experience comes the ability to play with and subvert your expectations. THE EMPTY WAKE is a gut punch that will leave you sore for days.  

The Subject - Directed by Timo Tjahjanto

As focused on action as horror, The Subject is a play on the mad-scientist trope, this one hits the ground running and never lets up. This type of story has been a part of the genre for as long as there has been movies and for good reason. It gives an excuse for the body horror found in everything from FRANKENSTEIN to THE FLY... and loads of other films that don't start with "F", those were just the first two that came to mind.  

Storm Drain - Directed by Chloe Okuno

This is hands down my favorite of the bunch. Chole Okuno managed to capture the feeling of '90s trash journalism and layer that over a wonderfully innovative sewer monster tale. At this point, is it fair to say that the "sewer monster" is a horror sub-genre? Either way, Storm Drain stands up and next to Alligator, CHUD, Mimic, and any of the many horrors from beneath the streets films. 

Overall this is the most successful film in the V/H/S franchise to date. These films are designed to feel like something taboo you shouldn't be watching. A series of simulated snuff flicks that have yet to really leave a lasting impression, until '94. I've enjoyed at least one segment in each of the entries but this is the most cohesive or complete in the series. The pieces feel connected and inform each other in both direct and thematic ways. Most anthology horror suffers from the same ailment, a lack of connective tissue. They feel like disparate stories loosely tied (more often thrown) together with little regard for how they feel next to one another. A great anthology should feel more like an album than a mixtape. While V/H/S 94 is a nasty, vile, and aggressively shocking tome about voyeurism it's also competently made by creators with more on their mind than cheap scares. 

Rating ★★★★☆

The Extras

Bonus features on the DVD and Blu-ray include:

Behind-the-Scenes of V/H/S/94

San Diego Comic-Con Panel Interview

Commentary with Filmmakers and Producers, Hosted by The Boo Crew

“The Empty Wake” Commentary with Simon Barrett

Deleted & Extended Scenes

V/H/S/94 Special FX with Patrick Magee

“The Empty Wake” Visual FX

Full-Length Veggie Masher Commercial

Behind-the-Scenes Images


Rating ★★★★★


When I was 15 years old, I went with some friends to a theatre about 30 minutes from our small suburban home in Hockessin Delaware. We took this journey to see Faces of Death IV (I think) on the big screen. We all knew the death on screen was fake but we sat around after the film discussing which of the sequences were the most convincing. I barely remember any of the film, but I do remember they gave us a certificate for not leaving during the showing. I never felt like I earned that one, but I feel like deserve one now for making it through V/H/S 94. I respect the hell out of this film, but it is by no means a breezy watch. This is a rough one, not for the faint of heart.

Overall Rating ★★★★☆

Available on VOD, Digital HD, DVD and Blu-ray April 19, 2022

Popular posts from this blog

THE FIRE THAT TOOK HER Trailer and Release Info

  The Fire That Took Her: Mother-of-two, Judy Malinowski, was doused in gasoline and set on fire by her crazed ex-boyfriend. She would go on to set new legal precedent, becoming the first woman to testify at the trial for her own muder. THE FIRE THAT TOOK HER goes inside her landmark case to ask a timely question: How much must women suffer in order to be believed? Opening In Theaters October 21st, 2022

Following Films Podcast: Malcom Goodwin on REACHER

Today I'm joined by actor Malcolm Goodwin to discuss his role in the upcoming Amazon Prime series REACHER REACHER follows Jack Reacher (Alan Ritchson), a veteran military police investigator who has just recently entered civilian life. Reacher is a drifter, carrying no phone and the barest of essentials as he travels the country and explores the nation he once served. When Reacher arrives in the small town of Margrave, Georgia, he finds a community grappling with its first homicide in 20 years. The cops immediately arrest him and eyewitnesses claim to place Reacher at the scene of the crime. While he works to prove his innocence, a deep-seated conspiracy begins to emerge, one that will require Reacher’s keen mind and hard-hitting fists to deal with. One thing above all is for sure: They picked the wrong guy to take the fall.

War Machine vs. War Horse: Miss Sloane (Bowling for Columbine vs. Runaway Jury)

Inspired by new release MISS SLOANE we attempt to control gun control cinema as seen in the Michael Moore documentary BOWLING FOR COLUMBINE and the John Grisham film adaptation of RUNAWAY JURY. To take on such heavy hitters as Gene Hackman and Dustin Hoffman we need  Dwight Hurst of The Broken Brain podcast , and  a huge fan of The West Wing in Ben Zuk  to walk and talk with Jessica Chastain. ALSO: We propose MySpace as a place for former jury fixers to find their next gig.