Alexander (Erland Josephson) the well to do patriarch of a Sweedish family is celebrating his birthday on a remote island when news of a new World War breaks. The previously relaxed and cheerful mood of the family morphs to terror. They immediately begin to spiral out of control, devastated by the catastrophic news. The film's masterful cinematography by Sven Nykvist (Ingmar Bergman's longtime collaborator) underscores the emotional state of the family through its color palette and movement. The arresting choice of color displays a bleak landscape around the families home. Painfully long shots evoke the sheer dread and anxiety that has engulfed this once carfree tribe. Alexander, philosophical in nature, is deeply worried about man's lack of spirituality. Faced with man kinds inevitable annihilation he is compelled to enter an agreement with God. The director's last film, made as he was dying of cancer, The Sacrifice is Tarkovsky's persona...